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Invitation To The Blues Bootleg. McCabe's Guitar Shop Nighthawks At The Diner. Heartattack and Vine. The Heart Of Saturday Night. The Dime Store Novels Vol. Biography In the s, Tom Waits combined a lyrical focus on desperate, lowlife characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing. Growing up in Southern California, Waits attracted the attention of manager Herb Cohen, who also handled Frank Zappa, and was signed by him at the beginning of the s, resulting in the material later released as The Early Years and The Early Years, Vol.

His formal recording debut came with Closing Time on Asylum Records, an album that contained "Ol' 55," which was covered by labelmates the Eagles for their On the Border album. His music and persona proved highly cinematic, and, starting in , he launched parallel careers as an actor and as a composer of movie music. He wrote songs for and appeared in Paradise Alley , wrote the title song for On the Nickel , and was hired by director Francis Coppola to write the music for One from the Heart , which earned him an Academy Award nomination.

While working on that project, Waits met and married playwright Kathleen Brennan, with whom he later collaborated. Moving to Island Records, Waits made Swordfishtrombones , which found him experimenting with horns and percussion and using unusual recording techniques. In , he released Rain Dogs. An album based on the play was released in , the same year Waits appeared in the films Candy Mountain and Ironweed.

In , he released a film and soundtrack album depicting one of his concerts, Big Time. A long absence from recording resulted in the release of Beautiful Maladies, a retrospective of his work for Island. In , Waits finally returned with a new album, Mule Variations.

The record was a critical success, winning a Grammy for Best Contemporary Folk album, and was also his first for the independent Epitaph Records' Anti subsidiary. A small tour followed, but Waits jumped right back into the studio and began working on not one but two new albums. By the time he emerged in the spring of , both Alice and Blood Money were released on Anti Records. After limited touring in support of these two endeavors, Waits returned to the recording studio and issued Real Gone in The album marked a large departure for him, in that it contained no keyboards at all, focusing only on stringed and rhythm instruments.

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